Another one of our members, board member Connie Berry, has her first book, ‘A Dream of Death,’ publishing in April! Find out more in her interview with fellow board member Kandy Williams.
KW: Ms. Connie Berry has done the near-impossible–she’s gotten a book published! Not only that, she has a contract for the sequel and has signed an agent. This is a feat that many writers aspire to, so it makes sense to begin by asking, her: Could you please share the story of your journey? How long did it take you to write your book and find an agent?
CB: I know writers who claim to have dashed off their first novel in three months. My journey took a bit longer—ten years, as a matter of fact, from the moment I first typed Chapter One until the day I signed my publishing contract with Crooked Lane Books.
My initial problem was time. Lecturing on theology by day, writing was relegated to evenings, weekends, and summers. That in itself wasn’t insurmountable. Lots of successful writers have day jobs. My biggest problem (although I didn’t recognize it at the time) was impatience — or maybe stubbornness. I just wanted to write, and worrying about peripheral stuff like story structure and pacing slowed me down. Or so I thought.
I didn’t know what I didn’t know.
One thing I did know: my book wasn’t ready for submission. Once I realized that writing a good book required learning the craft, I began to educate myself. Little by little I learned. Around Christmas of 2017, after many rounds of revision, I decided I’d done everything I knew how to do. The following February I attended Sleuthfest, a writers’ conference in Florida, and met my editor, Faith Black Ross, from Crooked Lane Books. She read my manuscript and offered me a two-book contract. With contract in hand, I contacted my agent, Paula Munier of Talcott Notch Literary, and she took me on.
Book One in the Kate Hamilton Mystery series comes out in April. Book Two will be published the following October.
KW: Now that you’ve gone through the process of writing a book–from idea to finished product–what advice would you give to writers who are still working to make the dream come true?
CB: Learn from my mistakes. Take time to learn the craft of novel writing. Writing to please yourself is a wonderful thing, but if you want to actually sell that book, you must learn what today’s publishers, agents, and readers want. Breaking the rules is okay. Not knowing the rules isn’t. Fortunately this information is readily available. Attend writers’ conferences, take online classes through Sisters in Crime and other writers’ groups. Find out what story structure is all about. Join a critique group. Find a couple of beta readers (not your spouse or your mother) who will tell you the truth. And read, read, read. Notice how authors you admire use setting, character development, point-of-view, dialogue, and description. If you need somewhere to start, I recommend Don’t Sabotage Your Submission by Chris Roerden, and Mastering Suspense, Structure & Plot by Jane K. Cleland.
KW: What can readers expect from the Kate Hamilton Mystery Series?
Well, I hope readers will find an engaging protagonist and a mystery that keeps them guessing until the end. Since Kate is an antiques dealer, antiques will play a role in each book along with a sense of history. Readers who enjoy stories set in the UK will spend time in the Scottish Hebrides and a village in rural Suffolk, England.
KW: Can you share an excerpt from A DREAM OF DEATH?
BC: I never wanted to return to Glenroth.
Three years had passed since Bill’s death, and the veneer of coping I’d laid over my grief was as thin as eggshell porcelain and every bit as breakable. It didn’t take much — the smell of the sea, hearing a snatch of a Scots accent, finding one of Bill’s distinctive doodles on a scrap of paper — and there I was, back in the land of memories and regrets.
That was the problem. On the Isle of Glenroth, memories and regrets lay as thick on the ground as yellow gorse in autumn. Still, a promise was a promise. Even one I’d never intended to keep.
“Going somewhere fun?” my mother had asked.
“Scotland. Glenroth, actually.”
There’d been a moment of tactful silence. “Sure that’s a good idea, Kate?”
Of course I wasn’t sure. Especially at the moment. Thick curtains of fog swirled across the deck of the car ferry, swallowing the landing ahead. I was the only passenger, and I’d been instructed to set my emergency brake and remain in the driver’s seat for the duration of the twenty-minute voyage. The boat lurched, and I gripped the wheel of the hatchback I’d hired at the train station in Fort William, grateful for the metal railing dividing the deck of the small craft from the icy depths of Cuillin Sound.
With a long blast of the ship’s horn, the fog parted and the Isle of Glenroth rose before me like Brigadoon materializing in the Highland mist. Trees lined the banks, their bare limbs dark and lined with snow. An old movie in black and white. The bell sounded, and I started my engine.
“Take care, lass,” the burly ferryman called through my partially open window. “Roads ’re slick.”
My second warning. The man at the car-hire desk had made a point of telling me about the “wee airly storm” that had blown through the Inner Hebrides the previous night, surprising the islanders with a layer of wet snow.
“Could I talk ye into waitin’ till mornin’?” he’d asked in a wheedling tone. When I explained that I’d learned to drive in snowy Wisconsin, he’d shrugged. “Whit’s fur ye will no go past ye.” What will be, will be.
I closed the window, tasting the salty tang of the sea on my lips. Ahead to the north, I could just make out the rocky peaks of Skye. Behind me, although I couldn’t see them, were the islands of Rúm and Eigg. The car bumped over the ramp onto solid ground.
Twenty-two hours after leaving Cleveland’s airport, I’d arrived—by plane, train, automobile, and ferryboat — on the small Hebridean island where my husband was born. And where he died.
KW: You’ve been hard at work on book 2 in the series. How different was the experience of writing that book compared to writing the first?
CB: Writing Book Two, A Legacy of Murder, took far less time because I didn’t make the mistakes I made with Book One. I plotted out the whole book in advance, so I knew where I was going and how each scene fit into the whole. Nevertheless, my characters sometimes said or did things that surprised me. That made writing an adventure.
KW: Fun question. You’re locked in a castle for an escape room-style adventure. What authors (living or deceased) would you want on your team?
CB: Obviously I’d enlist the help of John Dickson Carr, king of the locked room mystery. If he couldn’t get me out, no one could. And I’d invite Agatha Christie with her well-known eye for details and hidden clues. I’d include James W. Hall, author of the Thorn, P.I. books, would keep us all laughing. And Michael Crichton — just because he’s nice to look at.
